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	<title>Comments on: Response Assignment # 7</title>
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	<description>Fall, 2007</description>
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		<title>By: Paul Sernatinger</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-165</link>
		<dc:creator>Paul Sernatinger</dc:creator>
		<pubDate>Tue, 23 Oct 2007 23:20:20 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-165</guid>
		<description>Mustapha Mond and Dr. Frankenstein both have very similar intentions with which they approach (re)production of human life. Both attempt to make life in their own images, and both do so to the best of their abilities using the tools, techniques and technologies at their disposals. Dr. Frankenstein&#039;s hurdle was in suceeding at all. His approach was centered around the successful creation of a new being, which he had yet to achieve. The approach at the DHC was more one of refinement than of initial breakthrough. In converging literary worlds (that is to say, seperate from hard science) it could have been Dr. Frankenstein&#039;s work that pioneered the science that led to the knowledge and techniques that made the entire production process possible in Brave New World. Mustapha Mond, and those that work for him, could be the spiritual successors to Dr. Frankenstein. Who&#039;s to say that, given enough time, and with his retrospective knowledge and experience, that Frankenstein would not have in the future sought to condition his own creations, in an attempt to control them and prevent what actually happened from repeating itself. What this boils down to is that both men have God complexes (or Ford complexes if you really want). Ford after all, sold a car that you could buy in any color so long as it was black. He invented the assembly line, but lacked Dr. Frankenstein&#039;s vision in regards to what to do with it. What it comes down to are issues of conformity and control. Frankenstein made a monster in his own image, an adult male. Mond perpetuated the status quo for his time (I phrase it this way since he obviously could not represent all of the classes, or even the pluses, neutrals or minuses of the class to which he belonged), learning automatons. What we are currently working on in computing today, the learning algorithm, a computer that can learn from it&#039;s mistakes and includes in it&#039;s core programming, programming that allows it to modify certain parts thereof, limited only by hardware constrictions. The fear being that if we were to give a computer too much free will, that it may turn against us. In BNW, the problem is approached from the other direction. We have hardware (people) with unlimited potential for learning but limited in processing speed and ability to correlate the entirity knowledge. The unlimited freedom here is still a problem, but because of the other restrictions, it is a far more limited problem than having a computer that can out think you, know all of it&#039;s knowledge at once and in a correlatable way, and then giving it the ability to rewrite it&#039;s own instructions. The solution being that modifying humans is easier, cheaper and as presented in the novel more effective than trying to restrict a powerful machine. Most of the work has already been done for us. Frankenstein&#039;s monster is more indicative of the machine than of the man, at least initially. And throughout it manifests physically the many fears that we harbor about an all powerful computer (e.g. weapons platforms being used against us). Basically, people fear that which is different from themselves, and will in general, take every opportunity to push their beliefs and ideas on others. Whether that means making people more human or less human depends on the nature of the person in power as well as our own judgements upon that person. In Brave New World feelings are engineered as much as anything else, whereas in Frankenstein the monster is allowed to experience them naturally. I think that this would be true whether he had run away or not. It seems to me that Frankenstein and Mond, or the head of the DHC or whoever, are really not at all different, just different in circumstance, knowledge and experience. Frankenstein was like a hacker or a reverse-engineer, working on closed code, he had to be probative and to discover on his own. In BNW, the hatchery is like a system built around knowledge of an open system, with full knowledge of the code that when compiled, runs everything.</description>
		<content:encoded><![CDATA[<p>Mustapha Mond and Dr. Frankenstein both have very similar intentions with which they approach (re)production of human life. Both attempt to make life in their own images, and both do so to the best of their abilities using the tools, techniques and technologies at their disposals. Dr. Frankenstein&#8217;s hurdle was in suceeding at all. His approach was centered around the successful creation of a new being, which he had yet to achieve. The approach at the DHC was more one of refinement than of initial breakthrough. In converging literary worlds (that is to say, seperate from hard science) it could have been Dr. Frankenstein&#8217;s work that pioneered the science that led to the knowledge and techniques that made the entire production process possible in Brave New World. Mustapha Mond, and those that work for him, could be the spiritual successors to Dr. Frankenstein. Who&#8217;s to say that, given enough time, and with his retrospective knowledge and experience, that Frankenstein would not have in the future sought to condition his own creations, in an attempt to control them and prevent what actually happened from repeating itself. What this boils down to is that both men have God complexes (or Ford complexes if you really want). Ford after all, sold a car that you could buy in any color so long as it was black. He invented the assembly line, but lacked Dr. Frankenstein&#8217;s vision in regards to what to do with it. What it comes down to are issues of conformity and control. Frankenstein made a monster in his own image, an adult male. Mond perpetuated the status quo for his time (I phrase it this way since he obviously could not represent all of the classes, or even the pluses, neutrals or minuses of the class to which he belonged), learning automatons. What we are currently working on in computing today, the learning algorithm, a computer that can learn from it&#8217;s mistakes and includes in it&#8217;s core programming, programming that allows it to modify certain parts thereof, limited only by hardware constrictions. The fear being that if we were to give a computer too much free will, that it may turn against us. In BNW, the problem is approached from the other direction. We have hardware (people) with unlimited potential for learning but limited in processing speed and ability to correlate the entirity knowledge. The unlimited freedom here is still a problem, but because of the other restrictions, it is a far more limited problem than having a computer that can out think you, know all of it&#8217;s knowledge at once and in a correlatable way, and then giving it the ability to rewrite it&#8217;s own instructions. The solution being that modifying humans is easier, cheaper and as presented in the novel more effective than trying to restrict a powerful machine. Most of the work has already been done for us. Frankenstein&#8217;s monster is more indicative of the machine than of the man, at least initially. And throughout it manifests physically the many fears that we harbor about an all powerful computer (e.g. weapons platforms being used against us). Basically, people fear that which is different from themselves, and will in general, take every opportunity to push their beliefs and ideas on others. Whether that means making people more human or less human depends on the nature of the person in power as well as our own judgements upon that person. In Brave New World feelings are engineered as much as anything else, whereas in Frankenstein the monster is allowed to experience them naturally. I think that this would be true whether he had run away or not. It seems to me that Frankenstein and Mond, or the head of the DHC or whoever, are really not at all different, just different in circumstance, knowledge and experience. Frankenstein was like a hacker or a reverse-engineer, working on closed code, he had to be probative and to discover on his own. In BNW, the hatchery is like a system built around knowledge of an open system, with full knowledge of the code that when compiled, runs everything.</p>
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		<title>By: Christian</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-163</link>
		<dc:creator>Christian</dc:creator>
		<pubDate>Tue, 23 Oct 2007 23:14:52 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-163</guid>
		<description>&quot;Happiness is in the eye of the beholder&quot; - as the old saying goes, is an appropriate way to describe the emotions of the characters in Brave New World. The emotions that they know (for the most part) are a façade, as in they are literally trained to feel what a third party (their leaders) want them to feel. Happiness, pride for their class, dislike of other certain people, how to procreate and to keep “clean” are just a few of the things that are engrained in every child in this society. There is very little to no individuality. And because everyone is under the impression that they are happy, (regardless of whether they are or not) no one asks questions. 

Obviously in today’s society, we don’t electrocute babies to train them what to avoid like the plague, and we don’t attempt to teach moral and societal beliefs while people sleep, but our culture does almost the same thing, only much more subtly. TV, the internet, movies, celebrities, and many more things/people that are in our everyday lives can subconsciously influence what we do, what is cool, what we buy, what we wear, sometimes even what we feel. Other influences in our life, like our parents, schools, and churches teach us what to know, and how to act, and how to live. The society in Brave New World does the same thing, just on a much larger and more uniform scale. Therefore when the characters in Brave New World say they are happy, it could be nothing more than just regurgitating what they have been taught since children.</description>
		<content:encoded><![CDATA[<p>&#8220;Happiness is in the eye of the beholder&#8221; &#8211; as the old saying goes, is an appropriate way to describe the emotions of the characters in Brave New World. The emotions that they know (for the most part) are a façade, as in they are literally trained to feel what a third party (their leaders) want them to feel. Happiness, pride for their class, dislike of other certain people, how to procreate and to keep “clean” are just a few of the things that are engrained in every child in this society. There is very little to no individuality. And because everyone is under the impression that they are happy, (regardless of whether they are or not) no one asks questions. </p>
<p>Obviously in today’s society, we don’t electrocute babies to train them what to avoid like the plague, and we don’t attempt to teach moral and societal beliefs while people sleep, but our culture does almost the same thing, only much more subtly. TV, the internet, movies, celebrities, and many more things/people that are in our everyday lives can subconsciously influence what we do, what is cool, what we buy, what we wear, sometimes even what we feel. Other influences in our life, like our parents, schools, and churches teach us what to know, and how to act, and how to live. The society in Brave New World does the same thing, just on a much larger and more uniform scale. Therefore when the characters in Brave New World say they are happy, it could be nothing more than just regurgitating what they have been taught since children.</p>
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		<title>By: hope</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-162</link>
		<dc:creator>hope</dc:creator>
		<pubDate>Tue, 23 Oct 2007 23:11:09 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-162</guid>
		<description>Sadly, am in a rush and don&#039;t have time to read all the posts... but here goes.

Someone mentioned the difference between conditioning and creation [or creating].  I think that  A Brave New World blurs the line between creation and conditioning. The children [the entire Ford population] are manufactured. And they are conditioned.  The Ford population is &#039;conditioned&#039; from their &#039;infancy.&#039; As infants, they haven&#039;t anything but human curiosity...

Yet what is interesting is the evidence, that regardless of their conditioning, as adults the Ford &#039;residents&#039; show brief signs of that &#039;human nature.&#039;  The characters showed a curiosity that they attempted to squelch, and questioned internally the rituals in which they participated.  And the dissatisfaction when they didn&#039;t achieve the results they perceived others to.  

Each character possesses a humanity, they merely attempt to squash it to retain their place in the Ford society.  They are no less human. Merely socialized not to question social class, life purpose, etc.</description>
		<content:encoded><![CDATA[<p>Sadly, am in a rush and don&#8217;t have time to read all the posts&#8230; but here goes.</p>
<p>Someone mentioned the difference between conditioning and creation [or creating].  I think that  A Brave New World blurs the line between creation and conditioning. The children [the entire Ford population] are manufactured. And they are conditioned.  The Ford population is &#8216;conditioned&#8217; from their &#8216;infancy.&#8217; As infants, they haven&#8217;t anything but human curiosity&#8230;</p>
<p>Yet what is interesting is the evidence, that regardless of their conditioning, as adults the Ford &#8216;residents&#8217; show brief signs of that &#8216;human nature.&#8217;  The characters showed a curiosity that they attempted to squelch, and questioned internally the rituals in which they participated.  And the dissatisfaction when they didn&#8217;t achieve the results they perceived others to.  </p>
<p>Each character possesses a humanity, they merely attempt to squash it to retain their place in the Ford society.  They are no less human. Merely socialized not to question social class, life purpose, etc.</p>
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		<title>By: Christina</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-161</link>
		<dc:creator>Christina</dc:creator>
		<pubDate>Tue, 23 Oct 2007 23:10:50 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-161</guid>
		<description>Brave New world strongly implies that most human feelings should not exist they must be completely fufilled at all times. In Chapter 2, they even say excitment isnt even appropriate, because it means you are not fufilled. This is were Soma comes into play making everyone feel content and relaxed, it gets rid of every &quot;savage&quot; human emotion. Only the minority have emotion
   In Frankenstein it is somewhat opposite, everyone welcomes emotion but deny it to the minority IE Frankenstein&#039;s Monster. Because he is different, he should not have emotion; no one beleives he is capable of human emotion such as pain, they dont even think about how he will react while the scream and run from him.
  I beleive it is very important to feel and think independenly in these texts, both the monster ad society of Brave New World want to blend in with everyone else. They dont seem to realize that because we all have different brains, differenty personalities, we cannot all feel and act the same. It is a ridiculous ideaand not worth getting to know everyone around if their all the same.</description>
		<content:encoded><![CDATA[<p>Brave New world strongly implies that most human feelings should not exist they must be completely fufilled at all times. In Chapter 2, they even say excitment isnt even appropriate, because it means you are not fufilled. This is were Soma comes into play making everyone feel content and relaxed, it gets rid of every &#8220;savage&#8221; human emotion. Only the minority have emotion<br />
   In Frankenstein it is somewhat opposite, everyone welcomes emotion but deny it to the minority IE Frankenstein&#8217;s Monster. Because he is different, he should not have emotion; no one beleives he is capable of human emotion such as pain, they dont even think about how he will react while the scream and run from him.<br />
  I beleive it is very important to feel and think independenly in these texts, both the monster ad society of Brave New World want to blend in with everyone else. They dont seem to realize that because we all have different brains, differenty personalities, we cannot all feel and act the same. It is a ridiculous ideaand not worth getting to know everyone around if their all the same.</p>
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		<title>By: Paul Morris</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-160</link>
		<dc:creator>Paul Morris</dc:creator>
		<pubDate>Tue, 23 Oct 2007 23:07:25 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-160</guid>
		<description>6. I think that in Brave New World, John the Savage isn’t necessarily viewed as “too human”. He is viewed as all that is wrong with the natural human condition. He has questions. He is not obedient. He doesn’t know his place in society. He is basically just radically different from any conditioned person.  In BNW, people are conditioned from “birth” to follow a strict set of guidelines. Every person has a group to associate with and also a functional place within their society. Conversely, in Frankenstein, the monster is feared because it is different. Dangerous. Grotesque. Too many questions. He has no place. The monster and John the Savage are very much alike in this way. I think the “human” aspect of it is second to the idea of someone breaking the mold. 
	I find it fascinating that religion in BNW has been replaced with worship of  “his fordlieness”. (I might have spelled that wrong). The civilization in BNW is one of distinct social class and also the perfect Capitalist society. 
“The more stitches, the less riches”
“A gramme is better than a damn”
A clock is referred to as “Big Henry” in honor of the mighty Ford.
Just the clock being called “Big Henry” is enough to spark my interest. In BNW people are streamlined. They are simple. They are consumers. And they’re all “happy”. (Or high as fuck. Whatever you want to call it). As for the other sayings, people are just walking around repeating what they learned in their sleep.

To think of this in terms of the state of the US currently, we are fairly similar to the conditioned folks of Huxley’s BNW. While we still have the option to think for ourselves and form our own opinions and experience the full range of human emotion, most people seem content to do as they’re told. Buy this. Watch this. We’re very much consumers ourselves. I mean, obviously people consume. That’s what we do. Period. But it seems more and more that people are becoming the same. Instead of  being done in a lab though, we learn what we know from TV and believe what WGN news tells us.</description>
		<content:encoded><![CDATA[<p>6. I think that in Brave New World, John the Savage isn’t necessarily viewed as “too human”. He is viewed as all that is wrong with the natural human condition. He has questions. He is not obedient. He doesn’t know his place in society. He is basically just radically different from any conditioned person.  In BNW, people are conditioned from “birth” to follow a strict set of guidelines. Every person has a group to associate with and also a functional place within their society. Conversely, in Frankenstein, the monster is feared because it is different. Dangerous. Grotesque. Too many questions. He has no place. The monster and John the Savage are very much alike in this way. I think the “human” aspect of it is second to the idea of someone breaking the mold.<br />
	I find it fascinating that religion in BNW has been replaced with worship of  “his fordlieness”. (I might have spelled that wrong). The civilization in BNW is one of distinct social class and also the perfect Capitalist society.<br />
“The more stitches, the less riches”<br />
“A gramme is better than a damn”<br />
A clock is referred to as “Big Henry” in honor of the mighty Ford.<br />
Just the clock being called “Big Henry” is enough to spark my interest. In BNW people are streamlined. They are simple. They are consumers. And they’re all “happy”. (Or high as fuck. Whatever you want to call it). As for the other sayings, people are just walking around repeating what they learned in their sleep.</p>
<p>To think of this in terms of the state of the US currently, we are fairly similar to the conditioned folks of Huxley’s BNW. While we still have the option to think for ourselves and form our own opinions and experience the full range of human emotion, most people seem content to do as they’re told. Buy this. Watch this. We’re very much consumers ourselves. I mean, obviously people consume. That’s what we do. Period. But it seems more and more that people are becoming the same. Instead of  being done in a lab though, we learn what we know from TV and believe what WGN news tells us.</p>
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		<title>By: Tom H.</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-159</link>
		<dc:creator>Tom H.</dc:creator>
		<pubDate>Tue, 23 Oct 2007 23:01:58 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-159</guid>
		<description>I&#039;d partially agree with mindy about her aspects of conditioning and creation.  But I would disagree on specific basic concepts.  

For creation, I would question the definition of what qualifies as creation... I don&#039;t think that self awareness is a requirement for creation of intelligence.

With conditioning, the idea that we can just gloss over the concept of societal conditioning as a separate depate is incorrect and illogical i believe.  We seem to constantly allow ourselves to be trapped into a heirarchial concept of thinking, we need someone behind the scenes pulling the strings.  But there is no requirement that conditioning is done by A conditioner.  in BNW they have taken conditioning beyond any conceptualization of a single person.  Instead to be conditioned IS to be human.  I would argue that within the construct of BNW that the character Bernard who doesn&#039;t fit into the mold properly is NOT in fact human.  Just as frankenstein was not human because he failed to fit into that concept of humanity.  Both the monster in frankenstein and bernard in BNW were both created (and from a basic scientific level they were created in the same manner/way), but neither of them are Human.

I also disagree with the seemingly popular concept that BNW is a dystopic society.  I would actually consider it to be closer to utopic.  It is not important that we the reader on the outside think that a world within is utopic/dystopic to us , but weather it is within the context of the book.  And I believe that in BNW that there is a small minority of the characters in the book that consider there to be something wrong within their world, the majority are deleriously  happy... which is by definition utopic.  As to weather or not we would consider it utopic is irrelevant.</description>
		<content:encoded><![CDATA[<p>I&#8217;d partially agree with mindy about her aspects of conditioning and creation.  But I would disagree on specific basic concepts.  </p>
<p>For creation, I would question the definition of what qualifies as creation&#8230; I don&#8217;t think that self awareness is a requirement for creation of intelligence.</p>
<p>With conditioning, the idea that we can just gloss over the concept of societal conditioning as a separate depate is incorrect and illogical i believe.  We seem to constantly allow ourselves to be trapped into a heirarchial concept of thinking, we need someone behind the scenes pulling the strings.  But there is no requirement that conditioning is done by A conditioner.  in BNW they have taken conditioning beyond any conceptualization of a single person.  Instead to be conditioned IS to be human.  I would argue that within the construct of BNW that the character Bernard who doesn&#8217;t fit into the mold properly is NOT in fact human.  Just as frankenstein was not human because he failed to fit into that concept of humanity.  Both the monster in frankenstein and bernard in BNW were both created (and from a basic scientific level they were created in the same manner/way), but neither of them are Human.</p>
<p>I also disagree with the seemingly popular concept that BNW is a dystopic society.  I would actually consider it to be closer to utopic.  It is not important that we the reader on the outside think that a world within is utopic/dystopic to us , but weather it is within the context of the book.  And I believe that in BNW that there is a small minority of the characters in the book that consider there to be something wrong within their world, the majority are deleriously  happy&#8230; which is by definition utopic.  As to weather or not we would consider it utopic is irrelevant.</p>
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		<title>By: Ben Orth</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-158</link>
		<dc:creator>Ben Orth</dc:creator>
		<pubDate>Tue, 23 Oct 2007 22:59:05 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-158</guid>
		<description>I think that in both pieces, at least to an extent, independent thought is something that is feared.  It’s a pretty obvious point in Brave New World.  All the inhabitants of this world are conditioned in the proper way to think since birth.  As the director points out “You can’t learn a science unless you know what it’s all about…Whereas…moral education, which ought never, in any circumstances, to be rational.”  The kids aren’t taught facts so much as the way things are, there’s no reason for it except that it is right and there is no other way to be.  In Frankenstein, the fear of independent thought is a little less obvious.  Until you understand that it was Frankenstein’s independent thought that led him to create the monster.  He says that he often thought, “Whence…did the principle of life proceed?  It was a bold question.”  And when he embarks on the journey that is led by this independent thought, Frankenstein ends up creating a monster in his eyes, the exact opposite of what he set out to do.  Furthermore, the monster in Frankenstein is forced to develop his own ideas and feelings about everything because he is abandoned almost immediately after his creation.  Ultimately, because he is alone and misunderstood and in pain, the monster vows “eternal vengeance and hatred to all mankind.”  Being forced to come to his own line of independent thought did nothing to help the monster, it only made him realize how ill-treated and persecuted he was.</description>
		<content:encoded><![CDATA[<p>I think that in both pieces, at least to an extent, independent thought is something that is feared.  It’s a pretty obvious point in Brave New World.  All the inhabitants of this world are conditioned in the proper way to think since birth.  As the director points out “You can’t learn a science unless you know what it’s all about…Whereas…moral education, which ought never, in any circumstances, to be rational.”  The kids aren’t taught facts so much as the way things are, there’s no reason for it except that it is right and there is no other way to be.  In Frankenstein, the fear of independent thought is a little less obvious.  Until you understand that it was Frankenstein’s independent thought that led him to create the monster.  He says that he often thought, “Whence…did the principle of life proceed?  It was a bold question.”  And when he embarks on the journey that is led by this independent thought, Frankenstein ends up creating a monster in his eyes, the exact opposite of what he set out to do.  Furthermore, the monster in Frankenstein is forced to develop his own ideas and feelings about everything because he is abandoned almost immediately after his creation.  Ultimately, because he is alone and misunderstood and in pain, the monster vows “eternal vengeance and hatred to all mankind.”  Being forced to come to his own line of independent thought did nothing to help the monster, it only made him realize how ill-treated and persecuted he was.</p>
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		<title>By: Kimberly</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-157</link>
		<dc:creator>Kimberly</dc:creator>
		<pubDate>Tue, 23 Oct 2007 22:49:24 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-157</guid>
		<description>In both Frankenstein and Brave New World the &quot;victoms&quot; of either biological or psychological empowerment are put into an ambiguous world.  For example, in Frankenstein the monster is put into creation where things are unfamiliar and people are astranged, he can&#039;t totally grasp it.  In Brave New World, Linda is given amounts of Soma by Dr. Shaw which she becomes accustmed too because it is a &quot;happy&quot; drug and therefore, she&#039;s unaware of being controlled.
Also,  in the very first chapter, infants emotions are being controlled, for example, they are conditioned to have no love for nature and botantics.  Which is interesting because Frankenstein&#039;s monster is ultimately created by unnatural means.  In both books, life is being controlled with some form of technology.  The way in which society acts toward Frankenstein(technology) is fearful.  And the way in which people act in Brave New World is happy, however, they are being controlled by technology.</description>
		<content:encoded><![CDATA[<p>In both Frankenstein and Brave New World the &#8220;victoms&#8221; of either biological or psychological empowerment are put into an ambiguous world.  For example, in Frankenstein the monster is put into creation where things are unfamiliar and people are astranged, he can&#8217;t totally grasp it.  In Brave New World, Linda is given amounts of Soma by Dr. Shaw which she becomes accustmed too because it is a &#8220;happy&#8221; drug and therefore, she&#8217;s unaware of being controlled.<br />
Also,  in the very first chapter, infants emotions are being controlled, for example, they are conditioned to have no love for nature and botantics.  Which is interesting because Frankenstein&#8217;s monster is ultimately created by unnatural means.  In both books, life is being controlled with some form of technology.  The way in which society acts toward Frankenstein(technology) is fearful.  And the way in which people act in Brave New World is happy, however, they are being controlled by technology.</p>
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		<title>By: holyroflcopter</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-156</link>
		<dc:creator>holyroflcopter</dc:creator>
		<pubDate>Tue, 23 Oct 2007 22:38:28 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-156</guid>
		<description>5) In Frankenstein, everyone is miserable; in Brave New World, supposedly, “everybody’s happy.”  What does “happy” mean in Brave New World?  Is it really an emotion?  And how does that experience of happiness in Brave New World compare to the misery both Dr. Frankenstein and the monster feel?

Happy in Brave New World actually means devoid of emotion.  Soma is used as an emotional crutch by the citizens of London.  Anytime anyone begins to feel a twinge of regret they reach for their bottles of soma.  Soma reliance is so conditioned into the consciousness of the denizens of the civilized world that Linda bemoans her Soma liberation once thrust out into Malpais and that “the return to civilization was the return to soma.” (Ch 11)   

The experience of happiness in Brave New World is comparable is to that of the misery that both Dr. Frankenstein and the monster feel in that they are the sole motivators in their lives.  Dr. Frankenstein was miserable due to his inability to conquer death which drove him to restore life to the long dead tissue that made up his monster just as the monster was miserable that he had been cursed with life by his creator.  Throwing himself into his work was an instinctual reaction for Dr. Frankenstein just as reaching for a dose of soma had been conditioned into Leinda and Linda.  Dr. Frankenstein’s reaction was just as conditioned via the scientific method as the conditioning that took place in the Neo-Pavlovian conditioning rooms, granted it was fostered in a less electrifying manner.  

What social caste would Dr. Frankenstein fall into in the civilized world?  He strikes me as an Alpha if only because restoring life to the dead seems “frightfully clever,” a quality key in Alphas according to the Elementary Class Consciousness from chapter two.</description>
		<content:encoded><![CDATA[<p>5) In Frankenstein, everyone is miserable; in Brave New World, supposedly, “everybody’s happy.”  What does “happy” mean in Brave New World?  Is it really an emotion?  And how does that experience of happiness in Brave New World compare to the misery both Dr. Frankenstein and the monster feel?</p>
<p>Happy in Brave New World actually means devoid of emotion.  Soma is used as an emotional crutch by the citizens of London.  Anytime anyone begins to feel a twinge of regret they reach for their bottles of soma.  Soma reliance is so conditioned into the consciousness of the denizens of the civilized world that Linda bemoans her Soma liberation once thrust out into Malpais and that “the return to civilization was the return to soma.” (Ch 11)   </p>
<p>The experience of happiness in Brave New World is comparable is to that of the misery that both Dr. Frankenstein and the monster feel in that they are the sole motivators in their lives.  Dr. Frankenstein was miserable due to his inability to conquer death which drove him to restore life to the long dead tissue that made up his monster just as the monster was miserable that he had been cursed with life by his creator.  Throwing himself into his work was an instinctual reaction for Dr. Frankenstein just as reaching for a dose of soma had been conditioned into Leinda and Linda.  Dr. Frankenstein’s reaction was just as conditioned via the scientific method as the conditioning that took place in the Neo-Pavlovian conditioning rooms, granted it was fostered in a less electrifying manner.  </p>
<p>What social caste would Dr. Frankenstein fall into in the civilized world?  He strikes me as an Alpha if only because restoring life to the dead seems “frightfully clever,” a quality key in Alphas according to the Elementary Class Consciousness from chapter two.</p>
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		<title>By: Mindy</title>
		<link>http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-155</link>
		<dc:creator>Mindy</dc:creator>
		<pubDate>Tue, 23 Oct 2007 22:19:28 +0000</pubDate>
		<guid isPermaLink="false">http://cyberliterature.wordpress.com/2007/10/17/response-assignment-7/#comment-155</guid>
		<description>1)	The creation of a “being” versus the conditioning of a being - what’s the difference, in terms of the impact each has on the “being” itself and/or the society in which such a being is being created or “conditioned”?


With the &lt;b&gt;conditioning&lt;/b&gt; of a being, the ‘conditioner’ begins with a set of known values; for instance beginning with humans, she knows that humans have emotions, have certain physical limitations, respond to certain sensations in predictable ways, etc.  Beginning with a set of known values, the conditioner can manipulate subjects in order to conform to a predetermined set of values, which is what we see in &lt;i&gt;Brave New World&lt;/i&gt;.  

The &lt;b&gt;creation&lt;/b&gt; of a ‘being’ has an element of unpredictability not present with conditioning (although perhaps an individual could break out of the conditioning cycle, unpredictably…hopefully that’s where &lt;i&gt;Brave New World&lt;/i&gt; was headed).  A creator can hypothesize about the way the creation will behave, but until the creation is sentient, there is no concrete way to predict how it will behave and respond to the world.  The &lt;b&gt;creation&lt;/b&gt; of a ‘being’ involves a lot of questioning by the being itself: ‘Why was I created?  Why am I here?  How do I exist in relation to my surroundings?’  In &lt;i&gt;Frankenstein&lt;/i&gt;, the monster felt it had no purpose and was confused and frightened, with no one to teach it about the world it was born into.  And in relation to society, the being will have to adapt, learn, and grow much like a child in order to understand the world around it.  One could argue that that in itself is conditioning—that we are all conditioned by society, but that opens another debate (we are to some degree).

Conditioning is about conforming to a set of rules determined by the conditioner.  The impact it has on the being or the ‘conditioned’ is that, well, the conditioned will act in accordance with the rules without necessarily knowing their motivation for doing so.  The impact it has on society (if everyone is conditioned the same way, as in &lt;i&gt;Brave New World&lt;/i&gt;) is that people will act uniformly, resulting in a more orderly society.  In &lt;i&gt;Brave New World&lt;/i&gt;, people do not question their existence…they embrace their conditioning, and seem to refute the existence of the soul.  Although, interestingly enough, they need doses of &lt;i&gt;soma&lt;/i&gt; to stay ‘level.’  This is a way to keep their humanity in check, the only ‘release’ from their arranged and methodical way of life.

Both creation and conditioning introduce questions of ethics that were brought up in both texts: Frankenstein—Is it right to bring a being into the world where it has no ‘place’—where it will feel excluded and alone?  Brave New World—Is it right to create a society where there is no real individual choice—where people’s values and lifestyles are determined from, and even before, birth?

I really find the concept of conditioning interesting in relation to our own times.  Aside from all popular news media, one example that really grinds my gears (that’s from Family Guy) is the movie industry.  Good films are virtually nonexistent in, and I daresay kept out, of theatres.  The Assassination of Jesse James was running in some insanely small amount of theatres (think like, 95) nationwide this past weekend, and yet, movies like Transformers get wide releases make gazillions (seriously—I was insulted by that movie and yes I got my money back).  This is just one way intellectual content is ‘controlled’ in our society.  Too many polished turds on our cinema screens these days.  I’m sick of it.

--Mindy</description>
		<content:encoded><![CDATA[<p>1)	The creation of a “being” versus the conditioning of a being &#8211; what’s the difference, in terms of the impact each has on the “being” itself and/or the society in which such a being is being created or “conditioned”?</p>
<p>With the <b>conditioning</b> of a being, the ‘conditioner’ begins with a set of known values; for instance beginning with humans, she knows that humans have emotions, have certain physical limitations, respond to certain sensations in predictable ways, etc.  Beginning with a set of known values, the conditioner can manipulate subjects in order to conform to a predetermined set of values, which is what we see in <i>Brave New World</i>.  </p>
<p>The <b>creation</b> of a ‘being’ has an element of unpredictability not present with conditioning (although perhaps an individual could break out of the conditioning cycle, unpredictably…hopefully that’s where <i>Brave New World</i> was headed).  A creator can hypothesize about the way the creation will behave, but until the creation is sentient, there is no concrete way to predict how it will behave and respond to the world.  The <b>creation</b> of a ‘being’ involves a lot of questioning by the being itself: ‘Why was I created?  Why am I here?  How do I exist in relation to my surroundings?’  In <i>Frankenstein</i>, the monster felt it had no purpose and was confused and frightened, with no one to teach it about the world it was born into.  And in relation to society, the being will have to adapt, learn, and grow much like a child in order to understand the world around it.  One could argue that that in itself is conditioning—that we are all conditioned by society, but that opens another debate (we are to some degree).</p>
<p>Conditioning is about conforming to a set of rules determined by the conditioner.  The impact it has on the being or the ‘conditioned’ is that, well, the conditioned will act in accordance with the rules without necessarily knowing their motivation for doing so.  The impact it has on society (if everyone is conditioned the same way, as in <i>Brave New World</i>) is that people will act uniformly, resulting in a more orderly society.  In <i>Brave New World</i>, people do not question their existence…they embrace their conditioning, and seem to refute the existence of the soul.  Although, interestingly enough, they need doses of <i>soma</i> to stay ‘level.’  This is a way to keep their humanity in check, the only ‘release’ from their arranged and methodical way of life.</p>
<p>Both creation and conditioning introduce questions of ethics that were brought up in both texts: Frankenstein—Is it right to bring a being into the world where it has no ‘place’—where it will feel excluded and alone?  Brave New World—Is it right to create a society where there is no real individual choice—where people’s values and lifestyles are determined from, and even before, birth?</p>
<p>I really find the concept of conditioning interesting in relation to our own times.  Aside from all popular news media, one example that really grinds my gears (that’s from Family Guy) is the movie industry.  Good films are virtually nonexistent in, and I daresay kept out, of theatres.  The Assassination of Jesse James was running in some insanely small amount of theatres (think like, 95) nationwide this past weekend, and yet, movies like Transformers get wide releases make gazillions (seriously—I was insulted by that movie and yes I got my money back).  This is just one way intellectual content is ‘controlled’ in our society.  Too many polished turds on our cinema screens these days.  I’m sick of it.</p>
<p>&#8211;Mindy</p>
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